Survival

• A man named Hadi Matar has been charged with second-degree attempted murder.
• He is an American-born resident of New Jersey in his early twenties, whose parents emigrated from Lebanon.
• Review: Knife: Meditations After an Attempted Murder – Salman Rushdie (Jonathan Cape) Knife is very good at recalling Rushdie’s grim memories of the attack.

• “Let me offer this piece of advice to you, gentle reader,” he says: “if you can avoid having your eyelid sewn shut … avoid it.
• Here, for a number of reasons, Rushdie is not on such secure ground.
• Read more:
  How Salman Rushdie has been a scapegoat for complex historical differences

  Rushdie, who studied history at Cambridge University, described himself in Joseph Anton as “a historian by training”.

• Indeed, a speech he gave at PEN America in 2022 is reprinted in the book verbatim.
• For these intellectuals, principles of secular reason and personal liberty should always supersede blind conformity to social or religious authority.

Old-fashioned liberal principles

• In Knife, though, Rushdie the protagonist confronts a world where such liberal principles now appear old-fashioned.
• He claims “the groupthink of radical Islam” has been shaped by “the groupthink-manufacturing giants, YouTube, Facebook, Twitter”.
• But for many non-religious younger people, any notion of free choice also appears illusory, the anachronistic residue of an earlier age.
• Millennials and Generation Z are concerned primarily with issues of environmental catastrophe and social justice, and they tend to regard liberal individualism as both ineffective and self-indulgent.
• A new book traces how we got here, but lets neoliberal ideologues off the hook

Suffused in the culture of Islam

• The Satanic Verses itself is suffused in the culture of Islam as much as James Joyce’s Ulysses is suffused in the culture of Catholicism.
• In their hypothetical conversation, the author of Knife tries to convince his assailant of the value of such ambivalence.
• He protests how his notorious novel revolves around “an East London Indian family running a café-restaurant, portrayed with real love”.

Attachment to past traditions

• Rushdie discusses in Knife how, besides the Hindu legends of his youth, he has also been “more influenced by the Christian world than I realized”.
• He cites the music of Handel and the art of Michelangelo as particular influences.
• Yet this again highlights Rushdie’s attachments to traditions firmly rooted in the past.
• Part of James’s greatness lay in the way he was able to accommodate these radical shifts within his writing.

‘A curiously one-eyed book’

• Particularly striking are the immediacy with which he recalls the shocking assault, the black humour with which he relates medical procedures and the sense of “exhilaration” at finally returning home with his wife to Manhattan.
• Yet there are also many loose ends, and the book’s conclusion, that the assailant has in the end become “simply irrelevant” to him, is implausible.
• He insists he does not want to write “frightened” or “revenge” books.

• This was despite several brave comeback attempts by Milburn that likewise cited Pataudi as an example.
• Knife, by contrast, is a curiously one-eyed book, in a metaphorical, as well as a literal sense.

Paul Giles does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

• In the vibrant ebb and flow of Glasgow’s Byres Road, a new residency of snorkelling artists shines a light on the hidden deep.
• This exhibition showcases their diverse range of multimedia artworks, from illustration and printmaking to audio recordings of underwater seascapes and animation.

• Installation artist Vicki Fleck’s work uses a variety of media while “exploring the fluid, spongy and colourful landscape” underwater.
• She says she has been particularly inspired by the horizonless perspective of the snorkeller, “where everything comes up and towards”.

Internationally acclaimed wildlife artist and scientific illustrator Rachel Brooks’s detailed ink pieces capture the often-overlooked marine life found in UK coastal waters, while drawing on her expertise in zoology and marine biology.

• This residency has also inspired poems and storytelling, exhibited with QR codes that direct people to podcasts and compositions by some participants.
• Composer and sound artist Nicolette MacLeod creates work that invites people to listen to a series of compositions and podcast episodes made in response to the residency experience.

Hope spots

• The goal is to create a global network of hope spots, as far flung as the Galápagos and the Great Barrier Reef, that together help protect the hugely unexplored, yet fragile, ocean habitats beneath the waves.
• The Argyll Coast and Islands Hope Spot, on the west coast, is the first in Scotland and the only designated hope spot in UK coastal waters.

These residencies give artists access to new pastures of inspiration and discovery. By collaborating with marine scientists during this experience, the artists are encouraged to bring the mysteries and beauty of the largely unseen underwater worlds to a larger public. This can enlighten and educate people about the critical role that the ocean and its teeming-yet-threatened populations play in our own survival.

Visual storytelling

• Using visual narratives to communicate information can help demystify and explain sometimes complex, inaccessible and unfathomable places and lifeforms that most people would not normally have access to, or knowledge of.
• Visual narratives have a potency that supersedes textual formats.

• This form of storytelling presents information, data and ideas in a more accessible, visual context that allows more people to see the bigger picture.
• It can be hard for people to connect with the sea other than by looking out over its seemingly endless surface.
• But art initiatives can unite people to engage with causes that might otherwise escape their notice, because visual storytelling brings this subject matter closer to home.

Chris Mackenzie does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

Orphan designation: branaplam Treatment of spinal muscular atrophy, 16/04/2018 Withdrawn

• In an article published today in Nature, my colleagues and I show that illicit, often out-of-control road building is imperilling forests in Indonesia, Malaysia and Papua New Guinea.
• Once roads are bulldozed into rainforests, illegal loggers, miners, poachers and landgrabbers arrive.
• Once they get access, they can destroy forests, harm native ecosystems and even drive out or kill indigenous peoples.
• All nations have some unmapped or unofficial roads, but the situation is especially bad in biodiversity-rich developing nations, where roads are proliferating at the fastest pace in human history.

Mapping ghost roads

• This workforce then spent some 7,000 hours hand-mapping roads, using fine-scale satellite images from Google Earth.
• For starters, unmapped ghost roads seemed to be nearly everywhere.
• In fact, when comparing our findings to two leading road databases, OpenStreetMap and the Global Roads Inventory Project, we found ghost roads in these regions to be 3 to 6.6 times longer than all mapped roads put together.

• When ghost roads appear, local deforestation soars – usually immediately after the roads are built.
• We found the density of roads was by far the most important predictor of forest loss, outstripping 38 other variables.

Roads and protected areas

• In protected areas, we found only one-third as many roads compared with nearby unprotected lands.
• The bad news is that when people do build roads inside protected areas, it leads to about the same level of forest destruction compared to roads outside them.
• Keeping existing protected areas intact is especially urgent, given more than 3,000 protected areas have already been downsized or degraded globally for new roads, mines and local land-use pressures.

Hidden roads and the human footprint

• To gauge how much impact we’re having, researchers use the human footprint index, which brings together data on human activities such as roads and other infrastructure, land-uses, illumination at night from electrified settlements and so on.
• When ghost roads are included in mapping the human impact on eastern Borneo, areas with “very high” human disturbance double in size, while the areas of “low” disturbance are halved.

Artificial intelligence

• Worse, these roads can be actively encouraged by aggressive infrastructure-expansion schemes — most notably China’s Belt and Road Initiative, now active in more than 150 nations.
• You might think AI could do this better, but that’s not yet true – human eyes can still outperform image-recognition AI software for mapping roads.
• Once we have this information, we can make it public that so authorities, NGOs and researchers involved in forest protection can see what’s happening.

Distinguished Professor Bill Laurance receives funding from the Australian Research Council and other scientific and philanthropic bodies. He is a former Australian Laureate and director of the Centre for Tropical Environmental and Sustainability Science at James Cook University.