Sun Ra

Hip-hop at 50: 7 essential listens to celebrate rap's widespread influence

Retrieved on: 
Friday, August 11, 2023

Armed with two record players and a mixer, he created an extended percussive break while others rhymed over the beats.

Key Points: 
  • Armed with two record players and a mixer, he created an extended percussive break while others rhymed over the beats.
  • Well, that’s the origin story, although pinpointing the birth of a genre is never going to be an exact science.
  • Below is a selection of the resulting articles, introduced by a key track featured in their writing.

1. ‘Rapper’s Delight’ – The Sugarhill Gang

    • No history of hip-hop would be complete without this 1979 track by The Sugarhill Gang.
    • But along with being an old-school classic, it also kick-started hip-hop’s global expansion.
    • Read more:
      After 'Rapper's Delight,' hip-hop went global – its impact has been massive; so too efforts to keep it real

2. ‘Planet Rock’ – Afrika Bambaataa & The Soulsonic Force

    • Despite building on samples and influences from the past, hip-hop as a genre has always pointed forward – as this 1981 track from Afrika Bambaataa & Soulsonic Force exemplifies.
    • Read more:
      Through space and rhyme: How hip-hop uses Afrofuturism to take listeners on journeys of empowerment

3. ‘Stan’ – Eminem, featuring Elton John

    • But it was a pivotal moment in rap history: Eminem dueting with pop royalty Elton John underscored how hip-hop by the beginning of the 21st century had been accepted by the mainstream music industry.
    • Moreover, it came at a time when Eminem was deemed deeply controversial because of his use of anti-gay slurs in his tracks.
    • He noted that rappers are now having discussions over LGBTQ+ issues and apologizing for hateful speech in their earlier lyrics.

4. ‘You Came Up’ – Big Pun

    • While hip-hop’s origins lie in Black American communities, Latino culture is also deeply woven into its story: from pioneers like Kid Frost and Big Pun to Bad Bunny, one of the most-streamed artists making music today.
    • The genre was “my first love,” wrote Alejandro Nava, a religious studies professor at the University of Arizona.

5. ‘That’s what the Black woman is like’ – Arianna Puello

    • Those social messages connected with Black and immigrant youths throughout Europe who themselves were searching for identity in countries where discrimination remains entrenched.
    • Throughout her career, for example, Puello has used her music to confront the racism that she has faced as a Black female migrant in Spain.

6. ‘Move the Crowd’ – Eric B. and Rakim

    • She argued that it became “hip-hop’s consciousness, emphasizing an awareness of injustice and the imperative to address it through both personal and social transformation.” One of the first rappers to use the phrase in lyrics was Rakim, who mentioned it in his 1987 song “Move the Crowd.” The song is a track on the “Paid in Full” album, which Rolling Stone once listed as No.
    • 61 on its “500 Greatest Albums of All Time.”

7. ‘LOUD’ – Wawa’s World

Through space and rhyme: How hip-hop uses Afrofuturism to take listeners on journeys of empowerment

Retrieved on: 
Wednesday, August 9, 2023

Ever since August 1973, hip-hop artists have turned to Afrofuturism – a mix of science fiction, politics and liberating fantasy – to inform their lyrics and their look.

Key Points: 
  • Ever since August 1973, hip-hop artists have turned to Afrofuturism – a mix of science fiction, politics and liberating fantasy – to inform their lyrics and their look.
  • They do so by taking listeners on journeys in and beyond the here and now, from an often imagined past to an imaginative future.

Black diaspora ancestors

    • Academics have since further explored the meaning of Afrofuturism.
    • In her 2013 book “Afrofuturism: The World of Black Sci-Fi and Fantasy Culture,” independent scholar Ytasha Womack describes the cultural phenomenon as “an intersection of imagination, technology, the future, and liberation.” Although the term appeared in the 1990s, Afrofuturism has been applied retroactively to describe Black writers, artists and musicians.
    • In the United States, Afrofuturism was shepherded by generations of Black visionaries from the time of institutional slavery to the Civil Rights era.
    • From the 1970s to 2000s, she combined African mythology with social activism to conjure images of alternate Black worlds.

Aliens and alienation

    • Hip-hop artists influenced by Afrofuturism have long been aware that American society made many Black, Indigenous and other people of color feel different – less than human, or even like aliens – and expressed this through their art.
    • And like socially conscious hip-hop, Afrofuturism has always had a political element.
    • Take, for example, Public Enemy’s “Fear of a Black Planet,” Afrika Bambaataa & Soulsonic Force’s “Planet Rock” or Ras G’s “Brotha From Anotha Planet.” Similar to experimentalist jazz bandleader Sun Ra, who claims aliens selected him to preach cosmic enlightenment on Earth, the Atlanta-based duo Outkast – whose very name suggests alienation – refer to themselves as “ATliens”.

Higher levels of consciousness

    • Afrofuturism aims to elevate human consciousness.
    • Like Sun Ra’s jazz fusion ensemble “Akestra,” which deliberately designed music to help people see themselves and the world differently, Afrofuturism seeks to decolonize human minds.
    • Kendrick Lamar, winner of the best rap album at the 2023 Grammys, recorded five of 14 songs on the Afrofuturist “Black Panther” movie soundtrack.

Take nothing for granted

    • In “Africa As an Alien Future,” academic Ruth Mayer observes how Afrofuturism’s collapsing of past, present and future results in “strange sights – alien, aquatic, artificial – which force us not only to reconsider the past, but most of all the present we like to take for granted.” Tupac Shakur and Dr. Dre’s dystopic video for “California Love,” for example, which was set in California in 2095 and includes a cameo appearance by George Clinton himself, evokes vivid images of turf war battles in a post-apocalyptic, climate change-ridden, desert wasteland with sparse water.
    • Afrofuturists challenge societal assumptions about Black Americans’ role in their country’s history, both then and in the future.

VERVE RECORDS/UMe PARTNERS WITH THIRD MAN RECORDS TO RELAUNCH VERVE BY REQUEST AS VINYL REISSUE SERIES

Retrieved on: 
Tuesday, October 11, 2022

LOS ANGELES, Oct. 11, 2022 /PRNewswire/ -- Verve Records/UMe and Third Man Records have partnered to resurrect the popular reissue series, Verve By Request, with a vinyl twist. Focusing on rare gems and fan-requested jazz albums from the Verve Label Group's stable of iconic labels, the series will offer two titles per month – each hand-picked by Verve and Third Man Records. The records will include both long-out-of-print titles from the vault as well as the first-ever vinyl pressings for albums released in the '90s and aughts that were only originally released on CD.  

Key Points: 
  • ONGOING SERIES LAUNCHES NOVEMBER 11 WITH ALICE COLTRANE'SPTAH, THE EL DAOUD AND ROY BROOKS' BEAT
    LOS ANGELES, Oct. 11, 2022 /PRNewswire/ -- Verve Records/UMeand Third Man Records have partnered to resurrect the popular reissue series, Verve By Request, with a vinyl twist.
  • Focusing on rare gems and fan-requested jazz albums from the Verve Label Group's stable of iconic labels, the series will offer two titles per month each hand-picked by Verve and Third Man Records.
  • Albums will be newly remastered from original analog sources, when available, and pressed on audiophile-quality, 180-gram vinylat Third Man Pressing in Detroit.
  • Each month, a limited Third Man Edition yellow color variant of each LP will also be available exclusively via Third Man Records and uDiscoverMusic.

Drexel University's Westphal College of Media Arts & Design, The Curtis Institute of Music, and Artist and Composer Ari Benjamin Meyers Redefine Music as Public Art

Retrieved on: 
Thursday, September 23, 2021

PHILADELPHIA, Sept. 23, 2021 /PRNewswire-PRWeb/ -- Today, Drexel University's Westphal College of Media Arts & Design and The Curtis Institute of Music announced their call for the first public orchestra for Rehearsing Philadelphia.

Key Points: 
  • PHILADELPHIA, Sept. 23, 2021 /PRNewswire-PRWeb/ -- Today, Drexel University's Westphal College of Media Arts & Design and The Curtis Institute of Music announced their call for the first public orchestra for Rehearsing Philadelphia.
  • Rehearsing Philadelphia is a citywide art-based public project created by Berlin-based composer and artist, Ari Benjamin Meyers, and jointly produced and presented by The Westphal College of Media Arts & Design and The Curtis Institute of Music.
  • "We are delighted to have Drexel University's Westphal College of Media Arts & Design and The Curtis Institute of Music students participating in this landmark project."
  • At Westphal, we reimagine the role of design, media, and the arts in building a better future.