In the depths of Hobart's MONA, a volcano is stirring
Deep within the subterranean caverns of MONA, a volcano stirs.
- Deep within the subterranean caverns of MONA, a volcano stirs.
- Dormant for nearly 800 years, the volcano became a symbol of isolation for the artist, provoking a sense of disconnection with his homeland.
- Inspired by this event, Hrafntinna (Obsidian) employs sensory triggers, sound and scent as vehicles for longing and connection across time and geographical distance.
To sense before seeing
- Its brightness and hue subtly shift in synchronicity with the sound – flickering and flashing during moments of intensity.
- The bench vibrates with the low frequencies of a hidden subwoofer, transmitting the sound into our bones.
- It is the earthen aroma of fossilised amber, extracted from ancient tree resin that has been buried for millennia.
- Here, we are deep inside the belly of a far away volcano, which neither the artist nor we have seen.
Transcending thresholds of time and place
- In a more intimately embodied way, this sense of primal knowing is also carried through the choral sections of the piece.
- When I spoke to Jónsi, he described the voice as “the very first instrument we had”:
it touches on something deep within us all, without us knowing why. - In the dark, it shines a light on our inherent, embodied connection to place, and to the world.
- Read more:
Living near the fire – 500 million people worldwide have active volcanoes as neighbors