'Reflect, listen and learn': Melissa Lucashenko busts colonial myths and highlights Indigenous heroes
Melissa Lucashenko’s latest novel, Edenglassie, takes the reader on a journey through magnificent and heartbreaking dual narratives set five generations apart.
- Melissa Lucashenko’s latest novel, Edenglassie, takes the reader on a journey through magnificent and heartbreaking dual narratives set five generations apart.
- Review: Edenglassie – Melissa Lucashenko (UQP) Lucashenko gifts us with characters impossible to not to invest in.
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With wit and tenderness, Miles Franklin winner Melissa Lucashenko writes back to the 'whiteman's world'
It’s Granny Eddie’s world
- The first character we meet is Granny Eddie, who has been hospitalised after a fall.
- Winona laments not seeing her Granny Eddie enough, while also trying to find a job, disrupt the colony and make sure her granny is safe and cared for.
- Respectful, kind and considerate, he is trying his best to care for Granny Eddie – and finds himself pushing professional boundaries as he falls head over heels for fiery Winona.
- She and Dr Johnny have much to learn from each other as they bond over their care for Granny Eddie.
Shifting time
- Lucashenko transports you, shifting through time.
- In 1844, we meet Mulanyin, saltwater man, whose inner complexities are explored in depth as he learns the Law and lessons from Country and Ancestors.
- With that thought, the boy had the electric realisation that all his life he had been eating the decisions of his Ancestors.
- With that thought, the boy had the electric realisation that all his life he had been eating the decisions of his Ancestors.
- I am reminded of the poem, The Past, by the late Oodgeroo Noonuccal:
Let no one say the past is dead. - Haunted by tribal memories, I know
This little now, this accidental present
Is not the all of me, whose long making
Is so much of the past.
‘Your body is not your own’
- In the present, Winona and Granny Eddie interact and relate with Māori mob, through shared understandings of birthing practices and opposition to white cultural appropriation.
- I found myself laughing, crying and fighting off goosebumps as I read.
- There were moments when I had to put the book down, to sit with what I was reading.
- It is clear Lucashenko has done extensive research to position this historical fiction through past and present Magandjin localities.
- This is further evidenced by Lucashenko’s extensive acknowledgments and thanks to contributors and knowledge holders in the book’s author notes.