The response to Banksy’s tree highlights an ambiguity at the root of his ‘activism’
From a distance the paint aligns behind a pollarded cherry tree, creating the timely impression of spring foliage.
- From a distance the paint aligns behind a pollarded cherry tree, creating the timely impression of spring foliage.
- TV coverage revealed onlookers wedged amid a growing assemblage of security fencing in attempts to capture the perfect angle.
- By the end of March, a whole structure of wood and Perspex surrounded the work to protect it from damage.
- The artwork had been splattered with white paint only a couple of days after it was created.
Analysing Banksy
- A 2014 Guardian article quotes the artist stating that: “a painting isn’t finished when you put down your brush – that’s when it starts.
- Many of those who celebrate Banksy hold contradictory positions on precisely the themes his works seem to address.
- The Daily Mail were happy to join MP Jeremy Corbyn in celebrating the Islington “masterpiece’s” symbolic engagement with the climate emergency.
- A 2015 film of work Banksy made in Gaza ended with a quote attributed to Brazilian philosopher, Paulo Freire: “if we wash our hands of the conflict between the powerful and the powerless we side with the powerful – we don’t remain neutral”.
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Ben Wiedel-Kaufmann does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.