Mike Parr

Kandinsky at the Art Gallery of New South Wales: a precious gem of a show celebrating the transformative power of art

Retrieved on: 
Wednesday, November 8, 2023
Science, Painting, Blue Mountain, Element, Exhibition, Ageing, Time, Horse, Theosophy, School of Paris, Heart, Domination, Rain, Nazism, Saint, Solomon R. Guggenheim, Atmosphere, Fantasy, Spiritualism, School, Magic, Solomon, Association, Abstract, Mike Parr, Blood, Eye, Culture, Staatsgalerie Stuttgart, Art gallery, Film industry, Interior design, Jewellery, Weaving, Department store, Creative industries, Wassily Kandinsky, Blue

His work and theories on art profoundly influenced the School of Paris, the American Abstract Expressionists, as well as the expressionist painters working in Australia.

Key Points: 
  • His work and theories on art profoundly influenced the School of Paris, the American Abstract Expressionists, as well as the expressionist painters working in Australia.
  • This is a precious gem of a show that celebrates the transformative power of art – its ability to transcend the material realm and to nourish us spiritually.

Russian imagery, spiritual realm and colour auras

  • He expressed a profound belief in Russian Orthodoxy as the sole true faith.
  • Building on the heritage of spiritualism inherent in Russian Orthodox icons and the inventive whimsical narratives in Russian folk art, Kandinsky also explored the spiritual realm and colour auras integral to theosophy.
  • He wrote the single most influential essay in 20th-century art, On the spiritual in art, in 1911.

Speaking directly to the soul

  • Kandinsky invites the viewer to take a walk in the painting and explore an enchanted landscape.
  • A mistrust of science was linked to a mistrust of the physical world observed through the senses and the desire to explore a spiritual reality that bypasses empirical observation and speaks directly to the soul.
  • The eye is the hammer, while the soul is a piano of many strings […] [harmony rests] on the principle of innermost necessity.
  • The eye is the hammer, while the soul is a piano of many strings […] [harmony rests] on the principle of innermost necessity.
  • Read more:
    Three questions not to ask about art – and four to ask instead


Sasha Grishin does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

Gabrielle Carey was best known for Puberty Blues – but I knew her as a formidable intellectual who mastered the art of living well

Retrieved on: 
Saturday, May 6, 2023
Autobiography, Music, Bertrand, Exclaim!, Life, Junker, Rose Petal Place, Pain, Brain, Shyness, Risk, Museum, Happiness, James Robertson Hotel, Ageing, Rain, Museum of Contemporary Art, Noise, Friends, Entomology, Language, Essay, Restaurant, Child, Dog, Knowledge, Shoe, Imagination, Book, Gabrielle, Biography, Circular Quay, Waiting room, Medicine, Wynyard railway station, Running, Beauty, Bookbinding, Letter, Finnegans Wake, National university, Food, Puberty Blues, Mike Parr, Woman, Stranger, Art gallery, Gardening, Plant, Reading, Tea, American, Meditation, Personality, Island, Wine, Australian National University, Film industry, Dressmaker, Online shopping, Interior design, Clockmaker, Lace, Entertainment, Nightclub, Wynyard, Love, Family

The last time I saw Gabrielle Carey, who died this week, aged 64, was a couple of weeks ago in Sydney.

Key Points: 
  • The last time I saw Gabrielle Carey, who died this week, aged 64, was a couple of weeks ago in Sydney.
  • She is still best known as the coauthor, with Kathy Lette, of Puberty Blues (1979), a book she wrote as a teenager.
  • But for many of those who knew Gabrielle later in life, she was, among many other things, a “Joycean”, and more particularly, a “Wakean”.
  • If you’re finding it hard to make a decision, you can say you’re in “twinsome twominds” and your fellow Wakeans will understand.
  • She was in regular correspondence with the leading scholars; she was the author of numerous acclaimed essays on Joyce.

Authors were ‘living beings’ for her

    • The first of these was Moving among Strangers: Randolph Stow and my Family, a book which won the Prime Minister’s Award for Non-Fiction in 2013.
    • When she pressed him for more, he fell silent, and within a year, he had died.
    • It’s also a study of an enigmatic writer who was once internationally acclaimed, but who has now almost disappeared from Australian literary history.
    • Falling out of Love with Ivan Southall (2018), as the title suggests, is a similar combination of literary biography and memoir.
    • The third of these, Only Happiness Here: in Search of Elizabeth von Arnim (2020), was completed during Gabrielle’s fellowship in Canberra.

‘She works for James Joyce’

    • Gabrielle’s final book, James Joyce: A Life, is currently in press.
    • As she quipped, it was her “fourth biography and the first about a writer who is still famous”.
    • Two of Gabrielle’s acclaimed essays, Waking up with James Joyce and Breaking up with James Joyce, give an indication of the conflicted relationship she maintained with this writer who inspired and infuriated her throughout her life.

Reading groups ‘like jam sessions’

    • They would gather over food and wine and take the Wake a page and a line and a word at a time.
    • If they got really stuck, they’d turn to Fweet, an online guide to the Wake with more than 90,000 explanatory annotations.
    • If somebody came up with a new insight, she’d painstaking note it in even tinier pencil between the existing marginalia.
    • Her reading groups were more like jam sessions than scholarly seminars.

The art of living well

    • Gabrielle was a teacher of the art of living well.
    • Every evening, no matter where you were, Gabrielle would always step outside for a few minutes to watch the sun set.
    • A keen gardener, she made tiny pots of fabulously precious jam, that she playfully labelled “Jams Joyce”, from rose-petals harvested from her garden.
    • Instead of going to the Art Gallery of New South Wales as I’d planned, I went to the nearby Museum of Contemporary Art at Circular Quay.
    • In her last year, Gabrielle had been taking classes in the art of bookbinding, a creative outlet to add to gardening and rose-petal jam, not to mention writing.