Ableton

Hard work and happy accidents: why do so many of us prefer ‘difficult’ analogue technology?

Retrieved on: 
Thursday, April 18, 2024

Up two flights of stairs, the music machinery on offer includes brands such as Moog and Buchla, as well as modern euro-racks.

Key Points: 
  • Up two flights of stairs, the music machinery on offer includes brands such as Moog and Buchla, as well as modern euro-racks.
  • (From Michael’s fieldnotes)
    I finally locate the legendary Schneiders Buero, a shop selling analogue synthesizers in Berlin’s Kotti neighbourhood.
  • Up two flights of stairs, the music machinery on offer includes brands such as Moog and Buchla, as well as modern euro-racks.
  • (From Michael’s fieldnotes) As academics who rarely go a day without playing or making music, we have spent the past decade examining the extraordinary revival of analogue technology.
  • This means there are now more analogue options available than at any time since the 1970s, the heyday of the modular format.

The appeal of the slow

  • So we dived in.
  • Eventually, these forays became our formal research project, which has included visiting record fairs and conventions around the world, going on photowalks and attending listening evenings, and meeting an array of diehard analogue communities both on and off line.
  • The team is working with academics from different backgrounds who have been engaged in projects aimed at tackling societal and scientific challenges.
  • And we expect interest in such experiences to rise exponentially in coming years.
  • Recognising our existential need to occasionally slow down can be the basis for winning consumer strategies.
  • Recognising our existential need to occasionally slow down can be the basis for winning consumer strategies.

Saved from demolition

  • Rather than nostalgia, they are turning to film because of its aesthetic values and a greater sense of creative control over their photos.
  • In response, venerable brands including Kodak, Polaroid and Leica have re-emerged – in some cases, almost from the dead.
  • We literally saved it from demolition at the very last second in 2008.
  • We literally saved it from demolition at the very last second in 2008.
  • He said luxury brands such as Gucci are particularly keen on using film photography as this gives their promotional material a different look.

Work, effort, meaning

  • When it was conceded that digital probably was better for wildlife photography, James cut in:
    That’s to miss the point!
  • The sound might be better but you miss seeing the work that went into the performance, the effort of the players and their crew.
  • Work, effort, meaning – these ideas are all interconnected for users and consumers of analogue technology.
  • However, when asked to compare the two, they talk about the greater weight and meaning they give to their analogue experiences.
  • I think it is the quality of the human voice; it does feel more like someone’s speaking to me.
  • And part of what makes this possible is the process of analogue recording, in which all the sounds being made, including the unscripted noise of the recording process itself, are captured in the final track.
  • To facilitate this sound, some musicians have even started setting up their own pressing plants, such as Jack White’s Third Man Pressing in Detroit.

The joy of happy accidents

  • Half of what you do trying to make music is like a happy accident that ends up sounding better than what you intended.
  • When we started, we didn’t have that technology, so we made mistakes and some of them were happy accidents, resulting in iconic tracks.
  • When we started, we didn’t have that technology, so we made mistakes and some of them were happy accidents, resulting in iconic tracks.
  • It’s these happy accidents that we love.
  • It’s these happy accidents that we love.
  • For example, the opening bass part of Cannonball, the 1993 song by US Indie band the Breeders, accidentally starts in a different key.
  • Bass player Josephine Wiggs began playing the riff one step down, then fixed it when the drums came in.

Digital technology is de-skilling us

  • Over the decade or so of our research, explanations for the analogue revival have shifted from nostalgia, to the desire for something physical in a digital age, to the sense that analogue technology is creatively preferable.
  • Is digital technology de-skilling consumers, leading to a sense of alienation?
  • Using analogue technology is another way consumers can feed this desire to re-skill.
  • Rob told us how his love of music had turned sour with the “sheer ease” of digital, starting with CDs and the MP3 player – and how vinyl had reinvigorated him.
  • For him, the problem came when listening on digital devices without the “sides” of vinyl albums, and then on music streaming platforms whose digital algorithms preference popular tracks.

‘This song sucks’

  • These are the people who want to stretch and break the rules and trigger the happy accidents that create something altogether new.
  • For example, photographers who seek more creative expressions by pre-soaking or “souping” their camera film in lemon juice, coffee, beer, or even burning it.
  • And among this group, connecting digital and analogue technology is also common – combining two completely different systems to generate even more possibilities.
  • Film director Denis Villeneuve’s first instalment of Dune (2021) was initially shot on digital, then transferred to film, before being re-digitised.
  • By combining the two, Villeneuve got a film that, in his words, has a “more timeless, painterly feel”.


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The authors do not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and have disclosed no relevant affiliations beyond their academic appointment.

GD Culture Group’s Portfolio Company DigiTrax Releases its Patented AI Music Production Tool KR38R PRO

Retrieved on: 
Wednesday, November 22, 2023

NEW YORK, Nov. 22, 2023 (GLOBE NEWSWIRE) -- GD Culture Group Limited (“GDC” or the “Company”) (Nasdaq: GDC), a Nevada holding company conducting business through its subsidiaries AI Catalysis Corp. (“AI Catalysis”), today announced that its portfolio company, DigiTrax Entertainment, Inc., (“DigiTrax”), a music company at the forefront of transforming the music industry by pioneering the use of artificial intelligence (AI) solutions, has released its first AI music production software plugin tool, KR38R PRO (“Creator”).

Key Points: 
  • NEW YORK, Nov. 22, 2023 (GLOBE NEWSWIRE) -- GD Culture Group Limited (“GDC” or the “Company”) (Nasdaq: GDC), a Nevada holding company conducting business through its subsidiaries AI Catalysis Corp. (“AI Catalysis”), today announced that its portfolio company, DigiTrax Entertainment, Inc., (“DigiTrax”), a music company at the forefront of transforming the music industry by pioneering the use of artificial intelligence (AI) solutions, has released its first AI music production software plugin tool, KR38R PRO (“Creator”).
  • The Creator has been trained on music theory to fully understand the music language of songwriters and musicians.
  • KR38R PRO aims to empower users in today’s highly competitive music industry by expediting their creative process.
  • The launch of KR38R PRO signifies the start of a series of DigiTrax’s patented AI-empowered music technology releases.

Output, Loved by Grammy Winning Music Producers, Announces Co-Producer AI that Sparks (vs. Steals) Musical Creativity

Retrieved on: 
Tuesday, December 12, 2023

LOS ANGELES, Dec. 12, 2023 /PRNewswire-PRWeb/ -- Output, a global leader in music creation software, today introduces Co-Producer, a generative AI technology that promises to supercharge human creativity in music-making, not replace it. Co-Producer's first tool is Pack Generator, which allows anyone to create a unique royalty-free sample pack by simply describing it with a text prompt.

Key Points: 
  • Pack Generator stands apart from other AI music tools — it's not built for generative music or trained on copyrighted material.
  • Instead, it's a sophisticated sample generator fueled by a blend of generative AI and authentic audio samples from real musicians.
  • It's purpose-built to help music makers find new ideas quickly, allowing them to focus on the more nuanced elements of music creation, such as arranging, mixing, and composing.
  • "Now, Co-Producer puts the power of AI to work to help music makers unlock more time to be creative."

Music Production Software Market to record USD 296.27 Mn growth | Professionals segment to generate maximum revenue | Technavio

Retrieved on: 
Tuesday, April 12, 2022

NEW YORK, April 11, 2022 /PRNewswire/ -- The global music production software market size is expected to increase by USD 296.27 million between 2020 and 2025.

Key Points: 
  • NEW YORK, April 11, 2022 /PRNewswire/ -- The global music production software market size is expected to increase by USD 296.27 million between 2020 and 2025.
  • The global music production software market is fragmented due to the presence of numerous players.
  • Established players in the market are increasing their focus on the development and introduction of music production software as well as updating the old versions of music production software.
  • Music Production Software Market 2021-2025: Segmentation
    The music production software market is segmented as below:

MIDiA Research, TuneCore and Believe Launch Global Study on Gender Equality in the Music Industry

Retrieved on: 
Thursday, February 17, 2022

LONDON, NEW YORK and PARIS, Feb. 17, 2022 /PRNewswire-PRWeb/ -- The second annual study, BE THE CHANGE, Women Making Music 2022, conducted by MIDiA Research and sponsored TuneCore / Believe launches today.

Key Points: 
  • LONDON, NEW YORK and PARIS, Feb. 17, 2022 /PRNewswire-PRWeb/ -- The second annual study, BE THE CHANGE, Women Making Music 2022, conducted by MIDiA Research and sponsored TuneCore / Believe launches today.
  • The study will look at women and gender minority creators in the music industry, uncovering their challenges, experiences, inspirations, and ambitions for the future.
  • This study follows the previous groundbreaking project BE THE CHANGE: Women Making Music, in 2021.
  • Last year's study revealed that some of the barriers that women face in the music industry are becoming more acknowledged thanks to the growing number of networks and industry groups.

Clesson Co. Ltd - The Operating Company of LABEL Foundation Receives $2 Million Equity Funding from Groom Investments and eBEST Investments & Securities

Retrieved on: 
Monday, February 14, 2022

eBest Investments and Securities , a leading South Korean asset management firm, and Groom Investments, an early-stage investment fund, have indeed committed the aforementioned amount in equity funding to Clesson Co., Ltd, the parent company of LABEL Foundation, as part of a new collaboration.

Key Points: 
  • eBest Investments and Securities , a leading South Korean asset management firm, and Groom Investments, an early-stage investment fund, have indeed committed the aforementioned amount in equity funding to Clesson Co., Ltd, the parent company of LABEL Foundation, as part of a new collaboration.
  • Previously, the LABEL core team announced the release of OPENTRACK 2.0 , which includes better compatibility with the LABEL dApp.
  • The newly released version simplifies the transfer of intellectual property rights by making it clearer, smoother, and more user-friendly.
  • IPs of well-known artists look to be moving onto the fresh new LABEL Foundation's NFT infrastructure.

LABEL Foundation Looks To Revolutionise The Entertainment Industry In The Era Of Web 3.0

Retrieved on: 
Friday, February 4, 2022

Thanks to the unique features of Non-Fungible Tokens, artists began to commercialize their digital artworks by assigning a monetary value.

Key Points: 
  • Thanks to the unique features of Non-Fungible Tokens, artists began to commercialize their digital artworks by assigning a monetary value.
  • How is the LABEL Foundation pioneering in the NFT sector?
  • Label Foundation is allowing direct P2P investments to fund prospective musicians in a completely decentralized and permissionless state.
  • LABEL is a blockchain-based, NFT platform incubating entertainment and music that provides various easy investment tools for users, fair revenue distribution, and promotion processes.

c-f² announces investment in the music production platform, 343 Labs

Retrieved on: 
Wednesday, January 12, 2022

NEW YORK, Jan. 12, 2022 /PRNewswire-PRWeb/ --The studio fund, c-f , invests in 343 Labs to accelerate their continued growth as the leading school for music production.

Key Points: 
  • NEW YORK, Jan. 12, 2022 /PRNewswire-PRWeb/ --The studio fund, c-f , invests in 343 Labs to accelerate their continued growth as the leading school for music production.
  • Since launching in 2018, 343 Labs has quickly grown into one of the leading music production schools worldwide, where students can learn how to make their own tracks in a matter of weeks.
  • 343 Labs is redefining music education by breaking down physical and technological boundaries in the classroom, and constantly developing new approaches to learning how to make music.
  • Hybrid versions of learning are the future and we are excited to explore this path together with 343 Labs.

Splitit Adds Leading Music Software Provider Ableton to Its Growing List of Merchants

Retrieved on: 
Tuesday, August 13, 2019

Ableton's unique software and hardware products enable musicians, sound designers, and artists across the world to create, produce, and perform music.

Key Points: 
  • Ableton's unique software and hardware products enable musicians, sound designers, and artists across the world to create, produce, and perform music.
  • Headquartered in Berlin, Germany, Ableton is a global business with particularly strong consumer traction in the United States.
  • Commenting on the new partnership, Gil Don, Splitit's CEO and Co-Founder said, "Ableton is considered the best music software in the industry and has a dedicated following of music makers across the world.
  • Headquartered in New York, Splitit has an R&D center in Israel and offices in London, Sydney, and Melbourne.